Zoe James -Williams

Zoe James- Williams is a welsh artist living in Swansea on the Gower coast. Zoe is especially well known for her ballet and figurative paintings  she became the first artist in residence at Swansea Grand Theater in Sept 2009. She also teaches art class in the Ostreme centre ad Swansea.

Zoe’s pastels and watercolor paintings of ballerinas and dancers have proved to be very popular with a wide audience. She has been enchanted by the world of dance since she was a little girl. As an artist is drawn to the dancers exquisite beauty and grace gained through years of dedication and self discipline, as she aims to bring out these qualities in her work.

One of her favorite subjects to paint and draw is the ballerina. ‘‘A ballerina masks her strength with beauty, yet undeniably it is still there.’ - says Zoe! ‘’When you see them rehearse day after day, striving for perfection, this quote is so true. It is this powerful combination that seems to embody the women who I try to capture.’’

Zoe’s Techniques:

Zoe likes to portray the female figure in its own intimate world, as if you are looking through a keyhole into a private moment. Their enigmatic quality is accentuated by her use of a limited palette, usually in watercolor or pastel, so as to concentrate on the drama of light and shade to create a dramatic and striking image. she uses classic costumes or white muslin for draping to give her pictures a timeless quality as well as focusing on the line of the body.

Zoe experiments a lot with watercolour, pen, pastel and oils. She also uses different colored pastel papers. she particularly like using red for the drama. she thinks that probably comes from influences of Asian art with their strong colour and line.

Influences

Zoe’s artistic influences include Degas and Toulouse Lautrec with their wonderful use of pastel and their talent in capturing the unguarded moments of their subjects. She  also look to Dame Laura Knight, the first female to become a full member of The Royal Academy. She painted a variety of subjects, including life in the theatre, and her backstage drawings and paintings really capture the atmosphere of life behind the scenes.

Edgar Degas

Edgar Degas (19^th July, 1834-Sep 27, 1917) is a French painter and sculptor. Degas was known for his canvases depicting ballerinas, theatre patrons, and Parisian labourers. Intellectual creativity led Degas to work with many unusual techniques. Degas is also often identified as an Impressionist. Impressionism originated in the 1860s and 1870s and grew. The Impressionists painted the realities of the world around them using bright, "dazzling" colours, concentrating primarily on the effects of light, and hoping to infuse their scenes with immediacy.

Ballet dancers

One of Degas' favourite subjects was the ballet dancer. He loved to paint the dancers practicing in rehearsals or backstage before a show. He wanted to capture their energy and grace, but also their hard work and effort. During his career he created more than a thousand pictures of dancers. 

His Techniques:

Edgar Degas preferred various media (mixed media) throughout his artistic life, yet he often combined several different media on one canvas to give the work dimension and depth. Pastels, oil paints, gouache, and other materials can be found mingling together on the canvas in several of Degas' paintings, including "Dancers Practicing at the Barre" (1877) and "The Rehearsal of the Ballet Onstage" (1874). Each medium had a very particular application. Thinner, lighter media like watercolour would blur the lines of different objects while bold materials like charcoal would create the original sketch of the eventual painting.

Hatching was the next  technique degas used in his art works, By placing a series of long, undulating lines in alternating colours next to each other, Degas managed to give vibrancy and energy to even the most commonplace subject matter. Hatching and cross-hatching are most often found in Degas' pastel works, both wet painted pastels and dry chalked pastels.

When creating monotypes, an artist smears paint on a flat surface, etches an image into the paint and presses the flat surface on to a canvas, imprinting the canvas with the etched image. Degas tweaked the monotype process by painting the surface, then using brushes to create the imagery he sought, forgoing the typical etching process.

Impasto was another technique degas used in his work. Impasto is the technique of applying paint in thick, striking layers. Brushstrokes are clearly visible, and the image is slightly raised from the canvas. Often Degas would combine pastels or oil paints with binding agents that would create a thick, paste-like paint that Degas would spread around the canvas. Impasto can clearly be seen in Degas' 1857 "Self Portrait," especially around the edges of Degas' smock and kerchief.

The history of Alphabets

The history of the alphabet begins in ancient Mesopotamia and ancient Egypt. Both writing systems were developed independently, and they are very different from each other. This alphabet was invented to represent the language of Semitic workers in Egypt and was at least influenced by the alphabetic principles of the Egyptian hieratic script. The most widely used alphabet today is the Latin alphabet.^] It derives from the Greek, the first true alphabet in that it consistently assigns letters to both consonants and vowels.

It is from the Greeks that we get our name for the word “alphabet.” It comes from the first two letters of their alphabet, Alpha and Beta. These names actually came from the Phoenicians; however, whose first two letters were ‘Aleph and Beth.

Scholars are not quite sure when the Greeks first came into contact with the Phoenician alphabet; however it seems to have been about 1000 BC. They changed the alphabet some, both the look of the symbols as well as adding some symbols of their own. For example their alphabet had an F character, unlike the Phoenicians, although it originally stood for the “w” sound.” Because different languages use different sounds, the need to create new letters was common as the alphabet was distributed.

The Greeks were the first to introduce vowels into the alphabet. While the Phoenicians did have the letter “aleph” which became “alpha,” it originally represented a gutteral tone, rather than what we consider the letter “a.” Within Greece there were many different alphabets, most of them had about 25 letters and were mostly similar, with some slight differences.

Picasso

Pablo Picasso who was born in the 25th of October 1881 in Malaga, Spain was the crator of cubism.he became one of the greatest and  most influential artist who's amazing art actually transforms  the 20th century . In 1907, Pablo Picasso produced a painting unlike anything he or anyone else had ever painted before, a work that would  influence the direction of art in the 20th century: "Les Demoiselles d'Avignon," a chilling depiction of five nude prostitutes, abstracted and distorted with sharp geometric features and harsh blotches of blues, greens and greys.

In Cubist paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create collage-like effects. During the world war 2 he still continued to paint  in paris while the Germans were taking over the land. He sadly died at the age of 91 On the 8th of April 1973 in Mougins, France. 

       >>  Picasso's Woman with Mandolin (1910) . I like this painting because of  the way  Picasso, has painted the sculptor,  or fragments the girl's body into facets that are modelled to simulate their projection of the flat picture plane toward the viewer and that portray her in movement as she strums her mandolin. What Picasso is trying to depict here is the fourth dimension, the space/time. I really like how the detail and depth of the light colours that reflects this painting, even without hot colours. It very hard to do a copy of his work, as of the way he uses abstract colours or rules he uses to create his own cubist style painting. 

Vincent Van Gogh

Vincent van Gogh, for whom color was the chief symbol of expression, was born in Groot-Zundert, Holland on March 30, 1853. He Is a Dutch post-Impressionist painter who does his paintings from emotion and bold colours. He uses drawings, oil paintings, watercolours and prints to develop his paintings from portraits, landscapes and still life’s, mainly acrylic. He inspire his paintings from his surroundings, where he goes, the objects he use and who he talks to, E.g. Portraits of person, still life painting of sunflowers, landscape painting of fields, etc. He actually does his own portrait with every details and tones and makes the colour brighter and dimmer.

This is an autumn landscape painting of van Gogh

 

I like this landscape because it creates a peaceful and calm mood, yet dry and a moody atmosphere at the same time. As the dark green and light brown colour on the ground makes the paining look much drier, but the light blue sky and the still trees makes the painting look much calmer.

The artist has explored a range of midtones, lights, and darks within them. To create the distance within the painting, the artist used less detail, texture, in some areas such as the bushes behind the tress. (Background of the landscape.) He also used cooler colours to push elements farther into the background. (Sky)

 

Agnes Decourchelle is a living illustrator that uses colour pencils to make her illustration in an interesting way. She was graduated from the Ecole Nationale Superieure des Arts Decoratifs in Paris (Illustration) 1997-2001,and the Royal College of Art in London. (Master of Art, Communication Art and Design) 2001-2003.At the movement she is a drawing teacher at Pre’art and illustrator at Free Lance. She also worked for magazines and trends publicity like Mark & Spencer.

                                                                                 I like this image because it’s just a simple face of a lady, but just by adding the lights and details on her face by the colour pencils makes the image look much eye catching. She used all shades of colour pencils, she use blocks of colours to highlight a colour or to create shadow. The eyes, nose and lips were sketched in detailed, as its draws attention in the centre of the face. Colours Yellow on the right side of the face was used to create shadow.  However she used blue purple and red for the hair depending on the light reflection.  This image could create a summer feeling as per her use of colour (yellows and white.)                                                          

I like Agnes Decourchelle’s work because she has the ability to make even the smaller or simplest thing look much attractive by just using colour pencils. Without any previous sketch she directly draws out the illustration with the colour pencils giving all this details, shadows, light etc. The colours she uses to create a feeling and make the pictures alive/eye catching makes me want to create my own pieces of art work based on this same technique.

About Verner Panton

Verner Panton was born in 13^th feb 1926 – 5^th sep 1998. He is considered one of Denmark’s most remarkable innovative talent of 20^th century design and architecture. He went to Architectural studies at the Royal Academy of the Arts, Copenhagen. Later He marries Marianne in 1964 Basle and is blessed with a daughter Carin later in 1966.

During his career, he creates inflatable furniture, pioneered with the much single molded plastic chair in vibrant colours and refused to accept gravity by creating the flying chair.  The main purpose of his work is to provoke people into using their imagination. He says ‘Most people spend their lives living in dreary, grey-beige conformity, mortally afraid of using colours.’ By experimenting with lighting, colours, textiles and furniture and utilizing the latest technologies, he tries to show new ways, to encourage people to use their phantasy imagination and make their surroundings more exciting"

Near the end of the 1950s, his chair designs became more and more unconventional, with no legs or discernible back.